To give you a visual of this here are all 12 notes or our widest boundary:
| 1 | b2 | 2 | b3 | 3 | 4 | #4 | 5 | b6 | 6 | b7 | 7 | 1 |
| C | Db | D | Eb | E | F | F# | G | Ab | A | Bb | B | C |
And here is 7 of the 12 notes or the "C major scale" or we can also call this the key of "C major".
| 1 | | 2 | | 3 | 4 | | 5 | | 6 | | 7 | 1 |
| C | | D | | E | F | | G | | A | | B | C |
As you can see that the Key of C major has no sharps or flats in the scale. And in example 1 below you can see there are no sharps or flats in between the treble clef & the time signature. Therefore this song is in the key of C major.
Here is the "G major scale" or we can also call this the key of "G major".
| 1 | | 2 | | 3 | 4 | | 5 | | 6 | | 7 | 1 |
| G | | A | | B | C | | D | | E | | F#| G |

As you can see that the Key of G major has 1 sharp in the scale. So in the example below you can see 1 sharp in between the treble or bass clef & the time signature.
The way I like to understand the word "key signature" is by thinking of these words separately.
We use a "key" to unlock something and a "signature" is a proof of identity.
Next week I will talk more about the similarities between different key signatures.
cheers
Mat
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